In 2013, I got my first camera through a photography class. Over time, my focus started to move more towards video and post-production, and I began exploring DaVinci Resolve in more detail. Eventually, it became the main tool I used for my work. Color grading is the part of post-production that I care about the most.
Because I have a background in music, I naturally understand music videos. I often work on them at every stage of production, from filming to the final editing.
Today I work as a freelance colorist for music videos, short films, documentaries, and commercials.I collaborate with directors and production teams remotely, both in Italy and abroad. I have worked on music videos that were released through Virgin Music Italia, and I have collaborated with artists like SofÃa, eroCaddeo, Alex Catania, Zeit, and Panic in March. Selected film work includes Afonia (Official Selection at the Glocal Film Festival 2023), Gabrielloni – The Local Hero for Como 1907, and Torino Interrotta, created in collaboration with Associazione Museo Nazionale del Cinema.
I work with DaVinci Resolve Studio, with a setup specifically made for working remotely.
Besides working with clients, I also create DCTL plugins for DaVinci Resolve. These are parametric tools that work directly in the Color page, and they help me solve specific issues I face while grading footage.
Color grading breakdown






